There exists a type of photographer who can’t quite get by with a pocketable compact, but also hesitates to commit to a full-size (and pricey) DSLR rig. This shooter is all too familiar with the superzoom — and Sony’s latest 30x model may just offer the perfect excuse for an upgrade. The 9.6-ounce device has earned the title of “world’s smallest and lightest 30x optical zoom camera,” which, judging by its spec sheet, is quite an achievement. There’s a 24-720mm SteadyShot-equipped optical zoom lens, a 20.4-megapixel 1/2.3-inch Exmor R CMOS sensor, a 921k-dot 3-inch LCD, 1080/60p video capture, a top sensitivity of ISO 12,800 and a battery that’s rated for up to 400 shots. As you may have noticed from the image above, there’s also a dedicated mode dial, exposure-compensation control and a full-size hot shoe. You can pick up Sony’s Cyber-shot HX50V next month for $449, or check it out right now in the gallery just below.

Filed under: Cameras, Sony

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Sony introduces Cyber-shot HX50V, a small and light 30x superzoom

How do you justify splurging for a pricey point-and-shoot when your smartphone takes “good enough” pictures on its own? A 20x lens, for starters. Canon’s new PowerShot SX280 HS is small enough to tuck away in a pocket, yet it packs a 25-500mm f/3.5-6.8 lens. That’s old news for SX260 owners, though — last year’s model offered an identical range. There’s plenty of new features, however, including a 12.1-megapixel CMOS sensor, built-in WiFi, a DIGIC 6 processor, 1080/30p and 60p video capture, a sensitivity range of ISO 80-6400 with significantly improved image quality in low light, a 14 fps Burst HQ mode and a 260-shot battery rating in Eco Mode (compared to 210 shots under normal conditions). Those features are joined by a 3-inch 461k-dot LCD and GPS, both of which shipped on the SX260.

During our hands-on, we quickly noticed the SX280 HS’ significant speed boost — it’s 50 percent faster than its predecessor when it comes to focusing and shutter lag, and it definitely shows. The Burst HQ mode was also quite impressive, though you’re unfortunately limited to just seven consecutive shots. The camera has a solid feel, though it’s not terribly heavy. A very slim pop-up flash on the top, compact dedicated mode dial on the rear and a slightly extended front grip help to distinguish this model from lesser-equipped point-and-shoots, though both the red and black matte finishes convey a premium look on their own. You can catch both colors in person when the camera hits stores in April with a $330 MSRP, or you can sneak a peek right now in our hands-on gallery attached to this post.

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Canon announces PowerShot SX280 HS with WiFi, ISO 6400 and 20x lens, we go hands-on

It was just over a year ago when Nikon first dipped its toe into mirrorless waters with its first two 1 System cameras, the V1 and J1. Now, the company has released the V1′s successor, the aptly named V2. Like its elders, the V2 has a 1200fps slo-mo capture mode, a 3-inch LCD display on the back, a high-res (1.4 million dot) electronic viewfinder, and does 1080/30p and 1080/60i video capture (Alas, 4K recording capability didn’t make the cut). Unlike the V1, the V2 comes in only black or white and uses an upgraded 14.2-megapixel CMOS sensor with an ISO range of 160-6,400. It also packs a new Expeed 3A image processor in tandem with Nikon’s Advance Hybrid AF to deliver higher speed shooting. That autofocus system is comprised of 73 phase detect sensors and 135 contract detect sensors, which enables the V2 to capture stills at up to 15fps for 45 continuous frames — and it can shoot 60 frames continuously using fixed focus.

The camera itself looks quite a bit different from its brethren, with a magnesium chassis, a bulked up grip and a built-in flash, plus command and shooting mode dials up top. It’s a layout not unlike Sony’s NEX-7, with one dial enabling easy switching between auto and manual exposure modes and a second providing access to secondary shooting controls like exposure compensation. The camera also has a stereo mic on board along with an external mic jack for recording audio. Would-be V2 owners can grab one with a 10-30mm kit lens for $899.95, and Nikon will add 30-110mm glass to that package for $250 more when it goes on sale in late November. Want to know more? Check out our hands-on with the V2 to see the new shooter in action, and Nikon’s full PR awaits after the break.

Continue reading Nikon 1 V2 unveiled: 14.2 megapixel ILC shoots 15fps stills for $899.95 in November

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Nikon 1 V2 unveiled: 14.2 megapixel ILC shoots 15fps stills for $899.95 in November originally appeared on Engadget on Wed, 24 Oct 2012 00:01:00 EDT. Please see our terms for use of feeds.

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As Sprint continues to play an epic game of LTE catch up, the Now Network has officially flipped the ‘on’ switch for its 4G customers in the Chicago suburbs of: Addison, Bolingbrook, Des Plaines, Downers Grove, Kankakee, Rockford, Joliet, Naperville, Palatine and Plainfield. Further expanding its not-so-mainstream LTE footprint are Gary, Indiana; Wichita Falls, Texas; New Bedford and Fall River, Massachusetts; and Hutchinson and McPherson, Kansas, too. While these aren’t exactly the big markets that many were hoping for, it’s good to see that America’s third largest carrier is expanding its next-gen coverage for the less populous parts of the country. As for you big city folks patiently waiting for Hesse and company to call your number, rest assured that you haven’t been forgotten. We’re just hoping that Softbank’s latest investment doesn’t encounter any additional delays during its LTE rollout, because delays are for the birds.

Continue reading Sprint lights up new LTE markets in Illinois, Indiana, Massachusetts, Kansas and Texas

Filed under: Cellphones, Wireless, Mobile, Sprint

Sprint lights up new LTE markets in Illinois, Indiana, Massachusetts, Kansas and Texas originally appeared on Engadget on Mon, 22 Oct 2012 18:11:00 EDT. Please see our terms for use of feeds.

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GoPro just revealed its new flagship action camcorder, the Hero3, and we managed to get our mitts on one this evening. First things first, the Hero3 is tiny, particularly when considering that it shoots 4K video (albeit at a paltry 12fps), a resolution usually reserved for much larger, cinematic cameras. Having handled its competition recently — the Action Cam from Sony and the Contour+2 — we can say that the Hero3 feels smaller and lighter than both of them. It’s about the size of a couple of matchboxes stacked together and is quite lightweight, yet still feels sturdy. The textured plastic exterior is finger friendly, and the big round power / mode and record buttons give a reassuring snick with every press. The WiFi remote that comes with the Hero3 Black Edition is similarly solid in its construction, though we wish it had the same textured skin as the camera instead of its smooth exterior. We didn’t get to use the Hero3 for its stated purpose just yet, but we’ll be filming with the thing tomorrow, so stay tuned for all the POV footage. In the meantime, feel free to enjoy a tour of GoPro’s new diminutive hardware and check out its first sample video after the break.

Continue reading GoPro Hero3 action camera hands-on

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GoPro Hero3 action camera hands-on originally appeared on Engadget on Wed, 17 Oct 2012 02:50:00 EDT. Please see our terms for use of feeds.

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